My practice is predominately camera-less based using analogue and alternative photographic processes.  Taking inspiration from early 20th century photographers, Man Ray and László Moholy-Nagy I have spent over a decade exploring the photogram technique.

My interests lie in the materiality of ‘things’, both, organic and man-made, I’m attracted to the natural structure and form of objects and nature.  Examining the properties of reflection, opacity and transparency in materials I chose photographic processes and methods to highlight the essence and qualities of the subject often revealing new perspectives, prompting the viewer to experience the familiar subject in a very different light. 

A recently completed body of work included the, ‘Driven to Abstraction’ project which explored the notion of the ‘Anthropocene’, utilising the medium of photography in its bare essence; light sensitive paper, light and chemicals. 

Environmental concerns have increasingly become a subject focus and I continue to explore these themes and develop new methodologies to highlight such issues.

Group Shows

2018 – ‘Crossing Boundaries’  Gardens Gallery, Cheltenham, Glos

‘Monochrome’  Art Number 23, The Old Biscuit Factory, London

2015 – ‘Vorsprung Durch Technikers’  Hardwick Gallery, University of Gloucestershire

2014 – ‘Foto39’  Christmas Steps Gallery, Bristol

 ‘The London Analogue Festival’  Bargehouse, Oxo Tower Wharf, London

The Urmson-Burnett Photogram Prize – ‘Photogram Open 2014 Exhibition’  Silverprint Gallery, London

2013 – ‘London Analogue Festival’  The Old Police Station - Deptford Town Hall, London

'Fourthoughts Exhibition’  Gardens Gallery, Cheltenham, Glos



2012 – International Photo Award “Golden Camera"  2nd Flora and Fauna - Ukraine

2004 – 'The Kentmere Student & Open Photographic Awards'  1st Degree section - UK


2018 AARK' Archipelago Art Residency Association in Korpo


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